Mon petit garcon.tab


From: "GrRe" <graziana.realfonzo@dont.spam.tnx.tin.it> Date: Sat, 25 May 2002 22:01:49 GMT
MON PETIT GARCON - YUYU Transcribed by GrRe Gtr I (E A D G B E) - Q=152 4/4 Gtr I W W W Q E E E E E E |
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+E E E E +H Q E E E E E E |
|-(17)
|-(17)
|-(17)
|--(0)
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+E E E E +H Q E E E E E E |
|-(17)
|-(17)
|-(17)
|--(0)
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+E E E E +H Q E E E E E E |-(8)
|-(8)
|-(9)
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|-(0)
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+E E E E +H Q E E E E E E |
|-(16)
|-(17)
|-(17)
|--(0)
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+E E E E +H Q E E E E E E |
|-(17)
|-(17)
|-(17)
|--(0)
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+E E E E +H Q E E E E E E |
|-(17)
|-(17)
|-(17)
|--(0)
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+E E E E +H Q E E E E E E |-(8)
|-(8)
|-(9)
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|-(0)
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+E E E E +H Q E E E E E E |
|-(16)
|-(17)
|-(17)
|--(0)
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+E E E E +H Q E E E E E E |
|-(16)
|-(17)
|-(17)
|--(0)
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+E E E E +H Q E E E E E E |
|-(16)
|-(17)
|-(17)
|--(0)
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+E E E E +H W W W |
|-(16)
|-(17)
|-(17)
|--(0)
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W W +W W |
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E E E E Q. E W +W W |
|-3-3---3-3
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W W +W H +H |
|-3
|-3
|-5
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W H +Q. E Q E E +H W |
|-6
|-5
|-4
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H E E E E +S S E E E +H |
|-6
|-7
|-8
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H E E E E +S S E E E +H |
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|-10
|-12
|-13
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H +Q +S S E +Q. E +H H +H Q. E +H |
---| |
---| |
---| |-12----(12)--(12)---10-|-(10)
---| |-13----(13)--(13)
---| |-15----(15)--(15)
---| H E E E E +Q +S S E +Q +S S E |
|-10
|-10
|-12
|-13
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H +E S S E E +Q +S S E +H |
|-15----(15)-15
|-15----(15)-15
|-19----(19)-15
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H E S S S S S S S S S S E S S E E Q H. E E |
|-15
|-15
|-17
|-18
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+Q +S S E +Q. E H +Q +S S E |-(11)--(11)---10-(10)
|-(13)--(13)---13-(13)
|-(12)--(12)---11-(11)
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+Q +S S E +H H. E E |-(11)--(11)---10-(10)----|
|-(13)--(13)---13-(13)----|-11
|-(12)--(12)---11-(11)----|-14
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+Q +S S E +Q. E H +Q +S S E |-(11)--(11)---10-(10)
|-(13)--(13)---13-(13)
|-(12)--(12)---11-(11)
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+Q +S S E +H W |-(11)--(11)---10-(10)----|
|-(13)--(13)---13-(13)----|
|-(12)--(12)---11-(11)----|
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W W W W |
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+W W E E E E Q. E W |
|-(3)
|-(3)
|-(5)
|-(6)
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+W W W W |
|-(3)
|-(3)
|-(3)
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+W H +H W H +Q. E |-(1)
|-(2)
|-(3)
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Q E E +H W H E E E E +S S E E E +H |
|-6----6-(6)----|
|-5----5-(5)----|
|-4----4-(4)----|
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H E E E E +S S E E E +H |
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|-10
|-12
|-13
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H +Q +S S E +Q. E +H |
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|-12----(12)--(12)---10-|-(10)
|-13----(13)--(13)
|-15----(15)--(15)
H +H Q. E +H |
|-10----(10)----|
|-10----(10)----|
|-12----(12)----|-12----15-(15)----| |-13----(13)----|-15----15-(15)----| |
H E E E E +Q +S S E +Q +S S E |
|-10
|-10
|-12
|-13
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H +E S S E E +Q +S S E +H H E S S S S S S |
|-15----(15)-15
|-15----(15)-15
|-19----(19)-19
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S S S S E S S E E Q H. E E |
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|-17
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|-20---18
+Q +S S E +Q. E H +Q +S S E |
|-(16)--(16)---15-(15)
|-(17)--(17)---17-(17)
|-(17)--(17)---16-(16)
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+Q +S S E +H H. E E |
|-(16)--(16)---15-(15)----|-15
|-(17)--(17)---17-(17)----|-15
|-(17)--(17)---16-(16)----|-15
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+Q +S S E +Q. E H +Q +S S E |
|-(16)--(16)---15-(15)
|-(17)--(17)---17-(17)
|-(17)--(17)---16-(16)
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+Q +S S E +H W W W |
|-(16)--(16)---15-(15)----|
|-(17)--(17)---17-(17)----|
|-(17)--(17)---16-(16)----|
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W W W W |
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W W H E E E E +S S E E E +H |
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H E E E E +S S E E E +H |
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|-16
|-18
|-19
H +Q +S S E +Q. E +H |
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|-13----(13)--(13)---14-|-(14)
|-14----(14)--(14)
|-16----(16)--(16)
H +H Q. E +H |
|-11----(11)----|
|-11----(11)----|
|-13----(13)----|-13----16-(16)----| |-14----(14)----|-16----16-(16)----| |
H E E E E +Q +S S E +Q +S S E |
|-11
|-11
|-13
|-14
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H +E S S E E +Q +S S E +H H E S S S S S S |-11----(11)
|-12----(12)-12
|-15----(15)-15
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S S S S E S S E E Q H. E E |-9---7
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|-6
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+Q +S S E +Q. E H +Q +S S E |-(12)--(12)---11-(11)
|-(14)--(14)---14-(14)
|-(13)--(13)---12-(12)
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+Q +S S E +H H. E E |-(12)--(12)---11-(11)----|-11
|-(14)--(14)---14-(14)----|-11
|-(13)--(13)---12-(12)----|-11
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+Q +S S E +Q. E H +Q +S S E |-(12)--(12)---11-(11)
|-(14)--(14)---14-(14)
|-(13)--(13)---12-(12)
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+Q +S S e +q.. S |-(12)--(12)---11-(11)
|-(14)--(14)---14-(14)
|-(13)--(13)---12-(12)
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---- Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend
| - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths